这个项目面临的挑战包括如何在城市结构中重新插入人性化的空间,以提高生活质量?首尔的一个空置的城市街区有人居住,被压在严格的和现有的城市体量之间:我们建造了一棵化石树,它似乎在几何边缘的间隙中呼吸,扩大了城市有限的空间。宏观尺度被压缩在新有机体设计的空隙中。空的空间是生活空间的铸造。它建立了一种新的节奏,强调了城市范围内人文尺度的重要性。WAP艺术空间是一个近似立方网格的模型,每边两米,它将空间与居民的身体联系在一起。这个网格,有时可见,有时只是暗示,是人与建筑之间关系的工具。立方体空间是舒适的,它是人在重心上旋转的运动游戏空间。一个几乎看不见但有形的网格,生成有助于实现居住者舒适状态的元素。网格所产生的多重是居民与城市肌理关系的基本元素:2米=人,20米=城市。 The composition of cubic volumes expressed in multiples, 6-8-10 meters on each side, reveals the living space and defines the new scale of the relationship with the surrounding urban space. If two meters are uninhabitable, the four, six, eight, ten become a volume of air and the perception of the living space in relation to the environment congested metropolis. The interior spaces are defined by a structural grid that ranges from 8 to 10 meters and offers double heights where it is expected larger works of art will be exhibited. The voids are cubes suspended in the urban space. Each is independent and related to the other until a desired equilibrium is reached, ranging from positive volumes on the level of the city, to the outdoor exhibition courtyard on level -01, where we find another dimension, this time the cube is carved out in negative; a secret mineral garden open to the sky that reverses the perception of the built structure and transports the basement level to the public city realm.
我认为最具创新性的事情是按照时间和感知、流动和静止的时刻来绘制一个项目。实际上是关于空间对人类的亲密影响。新建筑提供了混合使用的居住空间(私人)和展览空间(公共)。城市-公共-私人亲密空间之间的过渡以螺旋运动的方式解决,从道路开始,垂直爬升到更亲密的空间。新的住宅画廊将自己呈现为一个当代城市城堡,生活空间由生产空间支撑。较低楼层的艺术空间滋养和温暖了居民的精神舒适。WAP艺术空间所产生的微观世界与周边环境建立了一种新的关系秩序,作用于对公共空间和私人空间边界的感知。建筑是一个有机体,它提供了一系列在开放与封闭、满与空、压缩与减压之间交替的空间。这种节奏遵循一种感知地图,转化为不同的可用性时刻,彼此连接。空间的顺序是通过每个空间对相邻或更远处的感知扩展而发生的。 The cube as a primary element, chosen for its evocative power, a symbolic and balanced element, escapes the rules of design as it is already defined a priori. The architect’s work is not in designing the project in the classic sense, but rather in managing the spatial organisation of the elements through the hypothesised use of time spent in traveling between and staying in the spaces.